Galleries West (Canada) Fall/Winter 2008

You can find the Fall/Winter 2008 PDF here

"Win, Place, Show; The Ever-Growing World of Art Competitions, What Does it Mean to Make the Shortlist?" by Heather Ramsay. The article looks into what these competitions mean to artists and how it affects their lives. Ramsay mentions my 2005 national award in the 1st Art Invitational Student Art Competition. She goes on to explain Eric Metcalfe's position on becoming an artist. Ramsay wrote, "Art schools across Canada are graduating thousands every year and at a recent ceremony in Alberta [Metcalfe] told the grads to look around. 'Only three of you will become artists,' he said. 'That’s how tough it is.' "

I've been asked "Why would you want to be an artist. The pay isn't good and you work too hard for what you get back. Why not just give up?" But I just want to continue, there is no reason, in fact reasons are practical things and this is not a practical decision. Financially making art can be a waste of time, but that's why we depend on the kind of people who can help fund making art.

Kyoto Journal is an English language publication coming out of Kyoto. To mark its 70th issue Kyoto Journal has looked locally at its birthplace; Kyoto. I showed the founding editor John Einarsen some of my previous work documenting city streets in Vancouver and he thought something like this might work in issue 70.



I was new to Kyoto at the time (this was last November) so I started to look for locations right away. I had little idea of what Kyoto was like beyond the tourist spots I've seen before. Kyoto is the city of temples; there is no mention of being the city of convenience stores or renovated cafés. I went out many times to either look or to photograph. Each week I told John "I'm almost finished, I just have to shoot one more building and stitch it in." Well, that week kept repeating. By April I had to attach a tripod holder to my scooter so I could get around. I went from hypothermia in the winter to heat-stroke in the summer but I was still shooting.



A few weeks before the magazine went to press John was still calm and patient with me. I kept promising to finish but John said, "I have a few more places I want to show you." He took me on a tour of some spots that don't have tour bus parking like Kurodani Temple (黒谷寺). By this point I was using a bicycle to get around more slowly and I found even more hidden locations.
Well, sometime in July I finished the image. It includes images from November to July with over 70 layers of buildings and people. It isn't "straight" documentary where each snapshot would have be considered a separate image, it's edited like a film into a one coherent strip about 2 meters long. It wraps around from the back cover to the front and the first few pages in.

ZAIM, Yokohama, Japan

I remember seeing a sculpture of a voluptuous Korean woman with a potato in her hand called "Abundant Potatoes." It was at the Mori Art Center for a show called "Happiness" and the piece was made by the artist Kim Chul-Eok from the DPRK at the height of a famine1,2.

The topic was quite nebulous but it allowed visitors to see interpretations of happiness by different artists (some paid for by the government to speak on their behalf). The last piece was Yoko Ono's "Mend," which is a set of broken cups the visitors can glue, tape or tie back together. There are small joys and big joys and we cannot judge someone else's happiness or desires as false at face value.

So in this way an exhibition about peace will not stick to one person's definition of peace, and if it did then all the images would be bountiful harvests. A good show would venture into the questions raised by the critics of "peace", whether intellectually or more holistically. The difficulty of pinning it down verbally makes is a prime subject for visual art, too.

Maybe the show was a bit disjointed because it wasn't curated. Instead it was a project by artists. That's why ZAIM was perfect, the place looked like an artist's studio. It was like a giant collaboration between all kinds of creative people using photography as a medium. The danger of curating a show about peace is it could easily become someone's soapbox. And this surely wasn't - since everybody has a piece they think is off topic. In my mind this means it was successful.

２００８年7月29日ー8月8日
ART COURT GALLERY

I had the opportunity to show more photographs from The Metamorphosis of Spaces at Art Court this summer. Art Court is the largest privately run contemporary art gallery in Kansai.

Usually I'm shooting installation shots for Art Court, that's why I knew the angle of this installation image even before I framed the artwork.